image makers and image takers这本书中他在回答采访者“你给正在跋涉在摄影旅途中的年轻人什么建议。”这个问题时说：聪明一些，要和别人分享自己的关系，越分享，你得到的越多。同时，也要建立你自己的关系网，比如我在柏林的一个展览就是朋友引荐的，但是同时我也帮助他在法国办了两个展览。
拍战地的那个，他在去年出版的《Whiskey Tango Foxtrot: A Photographer’s Chronicle of the Iraq War》(伊战纪事)被PDN评价为真正的战地摄影师，最好的战地摄影画册。 其他：费卢杰战役中，一位海军战士为了保护这位摄影师拍摄而阵亡，这让摄影师内疚不已。
Death by shooting. The photographic paper becomes evidence.The printed image appears before me,smelling strongly as though it were some kind of raw food.If the axls of time in this world also exists in the photograph,then I am completedly out of range and trying to escape from the floating and ungraspable uncertainty that is the "present"; I'm desperately trying to get a grip on the axls that really exist.
Confronting the inevitablility of my ouw death and the passage of time,the act of creating frozen time resembles that of prayer,and so my images are lmbued with strong emotions and desires that respond of my self-confrontation.
When taking photographs,I set up scenarios that will bring out the coincidental within the image,and allowing myself to lose control of the vision that I consclously hold in my mind,I wait for the unforeseeable results that will be captured by the camera.If "shooting" photographs is like on act of killing,then it is also as though I am being shot,and time is revived through this act.Together with that,the creative process disappears like a form of memory loss,and as though a defection to the other side is taking place,the events depicted on the photo paper slowly replace the memories in my mind.
I already see the image before I even encounter and photograph the people or the scenerise depicted.The time that exists before the act of taking the photograph "shoots" me-me who is out of range-and it is revived.The body is the empty vessel and the medium through which images pass.What's memory?These people and sceneries have been sacrificed by the photograph.Look at what they have offered to that world.
兔兔の妄想志
呵~....
